内容提要

渐入佳境的蒋山青无论在生活艺术还是艺术生活都浸入了自由境界。艺术和生活没有严格界限，生活的经验不过是艺术经验的大背景。作品就是人的存在的敞开状态，他的新的水墨作品标志着又一次不露声色的转型，从不重复自己的他也不断地否定自己。超越了纸质媒介，沉浸在创作乐趣中的山青每有新画展开

渐入佳境的蒋山青无论在生活艺术还是艺术生活都浸入了自由境界。艺术和生活没有严格界限，生活的经验不过是艺术经验的大背景。作品就是人的存在的敞开状态，他的新的水墨作品标志着又一次不露声色的转型，从不重复自己的他也不断地否定自己。超越了纸质媒介，沉浸在创作乐趣中的山青每有新画册面世，都是新收获的一次呈现而受到圈内关注。他对媒介的娴熟把握、对工具的自由挥洒、高度抽象的视觉张力极其令人惊叹。其作品气质愈发高雅，空间感觉愈发大气，骨子里却是地地道道的东方神韵。蒋山青不断创新的作品正书写着自我成长的历史。 With everything going better about him, Jiang Shanqing has kind of sunk into a total freedom, no matter in his art of life or life of art. Actually there’s no clear line between art and life as the experience of the former generates right from that of the latter, namely its fundamental background. The work represents an opening state of the artist’s being, just like Jiang’ new ink works symbolizing another unnoticeable transformation of him, who neither repeats nor gets content with himself. Shanqing has been totally immersed in the great joy of creation beyond the media bound of paper, and every time he presents an album crystallizing his new discovery and acquisition, it would definitely catch the eyes of the whole circle. It’s really stunning how skillfully he manages the media and tool, and what an abstract visual tension he creates. His works get more elegant in quality and vaster in illusion of space; however they never leave out the scent of eastern world. As Jiang continues his creation, he’s also compiling a history of his own growth.收起